From then on, Raja works relentlessly and succeeds in making them but then they turn out to be on the wrong side of the law as they join hands with the wily lady don Shyla (mumtaz) whose sole aim is to become a minister. Unable to handle the stress, Raja's father is ridden to death but before he passes, he takes an oath from Raja that he would ensure that his three brothers would become a cop, doctor, lawyer each.
But as expected, his father is not allowed to open his mouth as cops and lawyers pressurize him. However, his life takes a turn when his father loses his hand due to the fault of a doctor who does the surgery. To those who last week suddenly discovered some undead brain cells & 'logics' in their head, if those are still active please stay away from this film.An old masala tale, the story is set on the backdrop of Coutrallam and here is Raja (raghava) who takes life as it comes and is a cheerful guy. In all Rajadhi Raja is not worth waiting time or money this festive season unless you are a die hard fan of Mammootty the star. Rest of the cast just did what they had to, nothing worth mentioning. Joju impresses even though his role serves the same purpose Baburaj's role had in 'Kammath'. Mammooty should stop doing such crap movies, if he looks this disinterested imagine how the viewers would be feeling. The dialogues were also ordinary as there is nothing worth mentioning. Action choreography was bad, should have kept the lead actor and gone with his image style and within his comfort zone.
Action blocks lifted from Telugu movies like 'Brindavaanam' etc, scenes/story elements from 'Runway' 'Kanmadam' etc where also there. Music was disappointing, a song including video lifted from 'Dookudu' and another one from a kids album. Cinematography was good, editing was efficient except mass scenes which were ruined by ages old flash cuts. It just evokes a sense of Dejavu and yawn.
The script is just rehash of rehashes and there's not even a moment of uniqueness or surprise element in it. The movie has pace and there's not much of a lag or drag. From there own its just going with the proceedings for the audience till the end credits roll.Ījay Vasudev shows promise as director, in the league of Vysakh. The second half which begins with flash back sequences also fails to create the impact, Mammootty's weird Don getup also doesn't serve any good. Mammootty not being a great 'mover' also had its -ve impact as he was just standing there swinging his arms and legs and the villains just comes rushing in and goes flying back. No matter how over the top or ridiculous the action scenes may be, the attitude of actor can make a difference, sadly here it isn't the case here. The much talked about before release 'transformation' scene just fells flat ans instead of wolf whistles evokes yawn or (unintentional) laughter as Mammooty clearly looked uninterested in the proceedings. The film begins as a family film and shifts gears to action mode from interval block. The story is lifted from Rajnikanth's iconic 'Baasha' but lacks the punch of the original. His peaceful life goes for a toes as few goons from the north enters the scene, who go after Shekharan and his family thinking he is not the simple guy who he portrays to be, instead the dreadful goon Raja from Mumbai.Who is Shekharan, who is Raja, what's their story, how all issues are settled forms the rest of the story. He is living happily with his wife Radha and daughter. Shekharan Kutty is the manager at a Petrol pump, who also runs his own restaurant adjacent to it.
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